Open Window, Collioure, 1905
Henri Matisse’s "Open Window, Collioure, 1905" is one of the most significant early works of Fauvism and a key example of the artist’s exploration of pure colour. Painted during his stay in the small fishing town of Collioure in the south of France, the artwork captures the vibrant Mediterranean atmosphere through expressive, non-naturalistic hues. Instead of focusing on realistic details, Matisse transformed the simple view from his studio window into a bold celebration of colour, light, and emotional intensity. The work is often described as the moment Fauvism truly took shape.
In this painting, Matisse presents an open window overlooking the harbour, where boats float on shimmering water. The interior window frame is painted in bright pinks and greens, contrasting sharply with the deep blues and warm oranges of the sea and sky. In Henri Matisse’s "Open Window, Collioure, 1905", the colours do not reflect literal appearances but express how the scene felt to the artist. The brushwork is loose and energetic, contributing to the sense of freshness and immediacy, as though the viewer is experiencing the view in real time.
The composition plays with the idea of interior and exterior space. Instead of using traditional perspective techniques, Matisse allows the colours themselves to create structure and depth. The repeated vertical strokes in the harbour and the bold, flat areas of colour on the window frame work together to build a rhythmic and harmonious balance. This approach reflects Matisse’s growing confidence in using colour as the primary driving force in his art, a principle that would define much of his later work.
"Open Window, Collioure" was exhibited at the Salon d’Automne in 1905, the same exhibition that led critics to label Matisse and his peers as “Fauves” or “wild beasts”. Although intended as a criticism, the label captured the spirit of the movement’s fearless approach to colour. Today, the painting is recognised as a landmark of modern art, showcasing how Matisse reimagined everyday scenes with emotional clarity and visual excitement. Its influence continues to be felt in contemporary art, particularly in the use of colour as a tool for expression rather than description.